On a walk through Ligne Roset’s factory near Lyon, France, we track the multitude of steps, hands, and hours required to craft this very refined couch.
From the exterior, Ligne Roset’s complex in Briord, France, is little to look at, just workaday cement- and-metal factories near the base of the Alps. But once you step inside, the operation bursts into colorful life, with dozens of workers hefting gigantic bolts of fabric, manning robotic sewing machines, and operating (Read More…)
Monica Förster takes a hands-on approach to furniture design. In her Stockholm studio, she whips up a flurry of tiny paper models—“3-D sketches”—that rival their full-scale progeny for beauty and craftsmanship.
“The computer is a tool; I can’t do without it,” says Förster. “But the nice thing about making models is that in the process of doing, I’m more open to mistakes—maybe I put the tape in a way that I don’t intend, but it shows a new possibility. In a computer everything is perfect. When I make models, it’s intuitive and rough: I take a flat piece of paper, I cut it, I tape it. It’s very quick. I find it very refreshing.” (Read More…)
Setsumasa and Mami Kobayashi’s weekend retreat, two and a half hours northwest of Tokyo, is “an arresting concept,” photographer Dean Kaufman says, who documented the singular refuge in the Chichibu mountain range. “It’s finely balanced between rustic camping and feeling like the Farnsworth House.” Designed by Shin Ohori of General Design Co., the structure—Setsumasa bristles at the word “house,” since his desire was for something that (Read More…)
There are lots of handsome chairs out there, but sitting beauties that cost $250 or less are a rarer breed. Our picks run the gamut from traditional (the wooden, Shaker-inspired Salt or the Thonet-designed Era, the quintessential cafe chair) to the downright futuristic (we’re looking at you, oddly anthropomorphic Dr. Yes). We sat, swayed, shook, stacked; we hefted (Read More…)
Don’t be fooled by his mellow, self-effacing demeanor: Architect Thomas Phifer is a master of his craft, designing daylit, minimalist buildings that meld the ideals of classic modernism with 21st-century innovations.
Thomas Phifer is one of the most subdued architects you’ll ever meet. Sitting in his all-white New York office in a navy suit, reclining diagonally in a straight-backed chair, he speaks in a low and measured tone. When he’s being pensive—–which is most of the time—–he closes his eyes as he talks and bobs his hand gently in front of him like a conductor, as if coaxing out words. To hear him better, I lean in, block out the blaring car horns outside. In this way, he is like his architecture: exquisitely (Read More…)
When Svetlin Krastev and Dessi Nikolova had their second child, they saw two options: Go broke buying a bigger apartment, or renovate their existing 620-square-foot home. Because they loved their central Murray Hill location—Krastev can walk to work in 15 minutes, which means more time with his kids—and also because they themselves lived with their parents in tight quarters in Bulgaria, the decision came easily. However, to answer the not-so-simple question of how the space would work for four, they turned to Ferda Kolatan and Erich Schoenenberger of su11 architecture + design. (Read More…)
When Jay Atherton and Cy Keener met in grad school at the University of California, Berkeley, they discovered in each other a rare constellation of common interests: minimalist architecture, rock climbing, and “not talking.” After graduation, Atherton moved back to his hometown of Phoenix, Arizona, and purchased a downtown lot. Wanting to build a house, he asked Keener—a pro carpenter, then living in Colorado—to help with design and construction. Six months later, “His house became our house,” says Keener. “It became obvious the only way it would get built was if I shared the mortgage.” Atherton cackles: “I suckered him down here.” (Read More…)
The San Francisco Patient and Resource Center, or Sparc, is not your average pot club. There’s no peephole or scary-looking security guy, no skunky couches or blackened windows. Instead, a collegiate “community liaison” stands by the door answering questions from passers-by and checking membership cards and paperwork. (There’s no fee to join, but you need a doctor’s recommendation to enter.) And with its minimalist oak tables and benches, and jazz on the stereo, Sparc could easily be mistaken for a Japanese teahouse. Welcome to the medical marijuana dispensary of the future. (Read More…)
In the land of large mountain lodge wannabes, two California natives tuck Utah’s first LEED for Homes–rated house onto the side of Emigration Canyon.
“Our fireplace is going through a bit of an awkward phase,” apologizes Anne Mooney, nodding at the hearth anchoring her family’s great room. It’s true: The shiny steel surface is mottled with constellations of orange-brown rust. The house’s exterior, too, is surprisingly mutable. Cor-Ten-steel scales arranged in a harlequin pattern cover the boxy, rectangular structure, which is nestled in a canyon eight miles east of downtown Salt Lake City, Utah. Exposed to the elements, the scales have rusted to a deep reddish brown. During warm weather, the cladding expands and crackles, “like it’s breathing,” says Mooney. (Read More…)
Japan’s capital is a compelling study in contrasts—sprawling yet full of intimate neighborhoods; ancient yet up-to-the-minute. Here’s how to navigate its riches.
Read excerpted article here